trains, planes, automobiles, people
the global nomad
Beatnik's mythological automobile on the road
alchemy, hyperfluid culture
a poetics of presence
art and the imagination
the physical and the mental
hum with the speed of
all these places of social mutuality
committed humanist
recontextualize the previous
find themselves adrift
sonic debris of a popular future
cultural relativism
voice you speak with
take one step past yourself
haunted by the way things could have turned out
call and response
crossroads
questioning how far to push
mom used to say,
"who speaks through you?"
generate the most creative sounds
a thousand and one nights
preferences become mapped
repeat history
they are global
they are universal
seamlessly complex system
wise and foolish
consciousness in a world
invites rereadings in an information economy
creativity rests
expressions of others
the threads of time
hold the tapestry of my youth together
blurred all of the boundaries
etched in my memory
art in the conventional art world sucked
and the critics were full of shit
the multicultural
case of kidnapping, murder and conspiracy
collaged
crushing you with media bombardment
obsessed with death
bypassing structures
attention to the game
critique of the invisible
only to erase it
idealism of coexistence
not aware of the connections
its a puzzle you set for yourself
John Cage used to just stare at the piano
communicate with fellow human beings
continues the dialog
make the world act as your own reflection
issue of personal identity
scratch the surface
creating an environment
overlapping dualities
revelation of the other world
urban landscape
dematerialized sculpture
situation in human history
it can change
phantasm of collective memory
combat between
art as it relates to the environment
meditational aspect of the creative act
found
dividing the organic and inorganic elements
opening and closing of the lens
vanished like a mirage in the desert
of our collective dreams
try to create new worlds
cybernetic jazz
time and energy
pay the piper and call the tune
Sunday, October 24, 2010
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment